classify this Italian woman

[Arūnas]

because from Tolyatti (https://en.wikipedia.org/wiki/Tolyatti)- sounds Italian, isn't it?

12:16

https://youtu.be/TkaZI6OfQp8

https://i.postimg.cc/SxmcCRK5/snezhana.png

[Faklon]

Russia is new Rome

Looks somewhat Venetian or at least Slovenian funnily enough

[Rafael Passoni]

Looks my cousin.

[sioned]

because from Tolyatti (https://en.wikipedia.org/wiki/Tolyatti)- sounds Italian, isn't it?


the city of Tolyatti was named after an Italian communist...

off topic, but there have been an Italian settlement in Russia:

For example:

Mikhail Ivanovich Scotti (Russian: Михаил Иванович Скотти; 1812, Saint Petersburg - 1861, Paris) was a Russian painter of Italian descent, affiliated with the Bryullov art school. Scotti was an external student of the Academy of Arts. In 1831 and 1832 he was awarded the small and big silver medals concerning his drawing success. Then Scotti's painting The patriotism of the people of Nizhniy Novgorod in 1612 gained a small gold medal in 1835. In 1839-1844 Scotti resided in Italy. Returning to Petersburg he visited Constantinople to emerge an iconostasis from his works for the Russian embassy. In 1849-1856 Scotti worked in the Moscow Academy of Painting, Sculpture and Architecture. Scotti is credited as a good draughtsman, who skilfully worked with oil paints, water-colour and pencil alik

Ippolit Antonovich Monighetti (1819–1878) was a Russian architect of Italian descent who worked for the Romanov family.


Cesare Ciardi (28 June 1818 – 13 June 1877) was an Italian flautist and composer.

Born at Prato to a Tuscan family, Ciardi eventually settled in 1853 in Russia, where he was appointed in 1862 as professor at the Saint Petersburg Conservatory and became Tchaikovsky's flute teacher. Ciardi himself played as first flute in the orchestras of the Imperial Theatres in Saint Petersburg, including the orchestra of the Imperial Italian Opera and of that of the Imperial Bolshoi Kamenny Theatre. He died at Strel'na

www.biografija.ru/show_bio.aspx?id=134916

Aleksander Osipovich Bernardazzi (Russian: Бернардацци Александр Осипович, alternative spelling: Alexandr Bernardacci, Romanian: Alexandru Bernardazzi) (1831 – August 14, 1907) was a Russian (of Swiss Italian origin) architect best known for his work in Odessa and Chişinău. Bernardazzi was born in Pyatigorsk in 1831. The town had been almost completely built by his father, Giuseppe Bernardazzi, and uncle, who were originally Swiss from Pambio.


Dmitri Ivanovich Yermakov (Russian: Дмитрий Иванович Ермаков) (1846 – November 10, 1916) was a Russian photographer known for his series of the Caucasian photographs

Yermakov was born in Tiflis to the Italian architect Luigi Caribaggio and a Georgian mother of Austrian descent. She remarried the Russian Ermakov whose surname her son Dmitry took

Mikhail Semyonovich Tsvet (Михаи́л Семёнович Цвет, also spelled Tsvett, Tswett, Tswet, Zwet, and Cvet) (1872–1919) was a Russian botanist who invented adsorption chromatography.

Mikhail Tsvet was born May 14, 1872 in Asti, Italy. His mother was Italian, and his father was a Russian official. His mother died soon after his birth and he grew up in Geneva, Switzerland. He received his B.S. degree from the Department of Physics and Mathematics at the University of Geneva in 1893. However, he decided to dedicate himself to botany and received his Ph.D. degree in 1896 for his work on cell physiology. He moved to St. Petersburg, Russia, in 1896 because his father was recalled from the foreign service. There he started to work at the Biological Laboratory of the Russian Academy of Sciences. His Geneva degrees were not recognized in Russia, and he had to earn Russian degrees. In 1897 he became a teacher of botany courses for women. In 1902 he became a laboratory assistant at the Institute of Plant Physiology of the Warsaw University in Poland. In 1903 he became an assistant professor and taught also at other Warsaw universities. After the beginning of World War I the Warsaw University of Technology was evacuated to Moscow, Russia, and in 1916 again to Gorki near Moscow. In 1917 he became a Professor of Botany and the director of the botanical gardens at the University of Tartu (Yuryev) in Estonia. In 1918 when German troops occupied the city, the university was evacuated to Voronezh, a large city in the south of Central Russia. Tsvet died of a chronic inflammation of the throat on 26 June 1919 at the age of 47.



Francesco Bartolomeo Rastrelli (Russian: Франче́ско Бартоломе́о (Варфоломе́й Варфоломе́евич) Растре́лли; Florence, Italy, 1700 - Saint Petersburg, Russia, 29 April 1771) was an Italian architect naturalized Russian. He developed an easily recognizable style of Late Baroque, both sumptuous and majestic. His major works, including the Winter Palace in Saint Petersburg and the Catherine Palace in Tsarskoye Selo, are famed for extravagant luxury and opulence of decoration.

Odessa, the Last Italian Black Sea Colony

The city of Odessa, located in the South of Ukraine, at the Black sea shore, was founded 1794 by immigrants from Genoa and Naples, Venice and Palermo. The precise spot where the city was founded had been originally personally explored and marked by Stephano De Rivarola, the Italian diplomat to Russia.

The first Governor of Odessa was Neapolitan-born Giuseppe De Ribas (1749-1800). During the three years of his tenure (1794-97), Admiral De Ribas managed to build a vibrant city, whose first settlers, developers and actual founders were Italians.

Artists, sculptors, traders and musicians from Genoa, Livomo, Siena, Naples, Venice and Calabria flocked to this new “Europe” in thousands, in search of a better life and promising professional opportunities.

Customs house, wharfs, the port, residential buildings and Opera House were simultaneously built by the Italian settlers, following the projects by Italian architects and with the construction materials, transported from Naples, Genoa, and Livorno.

The first Italian founders of the Russian free port include the following families: De Ribas, Venturi, Buba, Rocco, Trabotti, Grimaldi, Frapolli, Inglesi, Gatorno, and Gaius.

The port correspondence, customs control, and trade matters had all been conducted in Italian, the lingua franca of the Russian Black Sea Coast up until the end of the 19th century.

Only in 1853 the Odessa Italian colony began to disintegrate due to the reverse migration back to Italy and rise of the Russian Empire, the key players in the field were the families of Ralli, Dzerbolini, Rocco, Gorini, Zarifi, Trabotti, Porro, Rossi, and Gari. The entire Russian Empire benefited from the last Odessa Italian colony.
The first Italian immigrants radically shifted the cultural course of Odessa for centuries to come. The Italian language reflected not so much the demographics of the city, but the political, economic, social, and cultural power which the Italian settlers enjoyed since the foundation of Odessa. All the key positions in banking, navigation, port administration, shipping, and different industries were held by Italians.
The Italian language not only prevailed in Odessa business and trade but it would be the favored tongue of the aristocratic salons, opera, schools, and the street. The traces of Italian have remained in the specific Odessa Russian even today.
The first Italian settlers had established the utterly unique permanent European traditions in this most non-Russian, non-Soviet, and non-Ukrainian city, affecting profoundly not only the port and shipping but the cultural institutions as well. Odessa would become the seat of 18 colleges, the centre of Italian studies in Russia, a prominent centre for the study of the Humanities and Sciences, with the most developed musical, theatrical, and artistic training. “Here all breathes Europe” (Alexander Pushkin)

Odessa’s Italianness would become somewhat of a taboo topic in historical discourse of Odessa. The story of the Italian migration to the Black Sea remained expunged from the historiographical accounts for a long period of time.
The Mediterranean image of Odessa was formed by brilliant creations of Boffo, Bernadazzi, Frapolli, Torichelli, Digby, and Delia Acqua and other Italian architects.

Having established a home away from home, Italian immigrants brought to Russia a Mediterranean way of life and cultural sensibility unknown to the rest of the country.”

Bibliography:

Makolkin, Anna (2004). A History of Odessa, the Last Italian Black Sea Colony. Lewiston, NY: Edwin Mellen Press.

www.lifebeyondtourism.org/blog/cultural-heritage/odessa-the-last-italian-black-sea-colony/

[Komintasavalta]

Also in the 1600s, the merchant family of Serotetto settled in the Yamal Peninsula because of the growing demand for furs in Venice.

https://i.imgur.com/PjidF21.jpg

[KirillMazur]

Looks pan-{Central&Eastern} Euro.

[decordoba]

Pontid - Carpathoid

[magicalM]

Yes, central west euro with some eastern influence. Could definitely pass in Hungary imo.

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[Arūnas]

Russia is new Rome

Looks somewhat Venetian or at least Slovenian funnily enough

man, are you sure?

I would say, new Paris/France ---> https://en.wikipedia.org/wiki/Parizh,_Chelyabinsk_Oblast

[Gallop]

Very italian

[Sloots]

Yes, central west euro with some eastern influence. Could definitely pass in Hungary imo.

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I agree :)

[Latinus]

CM-North Atlantid.